– Mix several clips together to create layered collages and compositions (multi-blend mode options / compositing options / cross-fade options / customisable quartz transition modes) – Trigger separate clips for playback across different projectors ( a desktop with multiple outputs, or an external graphics card for laptop is also needed) (Example search for ‘VDMX interface’ ) So what can VDMX 5 do? This is an important distinction- instead of being stuck with a fixed processing engine and a static interface, it gives you the freedom to assemble not only whatever custom processing backend you desire, but it allows you a great deal of creative control over how you wish to interact with your backend.” “VDMX5 is a program that lets you assemble custom realtime video processing applications. This means VDMX must be capable of letting it’s users adapt and respond to any unfolding events – and the importance of having that flexibility is reflected with how Vidvox define their software: Just as hiphop and electronic music producers have long been playing live with audio samples, we now have the ability to shift from a studio production mentality, towards using video samples in a live setting. What does that even mean? The six word executive summary by A hipsters version of After Effects‘ is cute, but misses a crucial difference – VDMX is software built for real-time usage – ie no waiting around for rendering, it means live adjusting, manipulating and sequencing of video clips and video parameters – during a theatre performance, while musicians play on stage, within an installation, or to create some hybrid of what might be called live cinema. VDMX 5 = A ‘ modular, highly flexible realtime performance video application‘ developed by. Now that it’s 2012 and we’re at Beta version 8.0.8.1, it seems as good a time as any to declare VDMX 5 ripe and ready. Here’s a review brewed since I got my review copy back in 2005 (when VDMX first turned 5, says the Vidvox software museum*). (Above, a messy example VDMX interface of mine.
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